Steven Holl’s Vanke Center is sold as a “horizontal skyscraper as long as the Empire State Building is tall.” The mixed-use building, which includes a hotel, service apartments, and offices, removes the ubiquitous commercial podium and allows vegetated landscape to occupy the entire site. Most of the building seems to float on glass and steel piers. As public space, the open ground provides direct connections from the city to the adjacent lake. To achieve this largely open ground, Holl uses a long-span structural system more common in bridges. The result is an unusual but impressive architectural space that unfolds in dramatic ways. Holl realizes ideas that had been simmering in his sketchbook for years, but that were always too impractical to build. This project can also be read as a revival of 1950s and 1960s modernism.
Shenzhen, until now, was the city of imitation. Tourist go to buy fake Gucci bags and Polo shirts or visit theme parks like Windows of the World and Splendid China, where the main attractions are miniature imitations of other global tourist centers. But Shenzhen is also a city that never stops reinventing itself. As a “City of Design,” it is making convincing moves toward becoming a center of creativity and cultural sophistication, following in the footsteps of cities like Barcelona, Berlin, and Rotterdam. We hope this phase proves lasting.